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The Editors
Edvige Giunta
is an Associate Professor of English at New Jersey City University where she teaches memoir as well as other writing and literature courses. She has spent the last decade writing and organizing cultural events about Italian American women authors and getting their works published and reprinted. Her recent publications include
Writing with an Accent: Contemporary Italian American Women Authors
(Palgrave, 2002),
Dire l'indicibile: Il memoir delle autrici italo americane
(University of Siena, 2002),
The Milk of Almonds: Italian American Women Writers on Food and Culture, Italian American Writers on New Jersey
(Rutgers University Press, 2003), coedited with Maria Mazziotti Gillan and Jennifer Gillan, winner of the New Jersey Studies Academic Alliance Award for Fiction and Non-Fiction. She has edited/co-edited special issues of the journals
VIA
and
TutteStorie
devoted to Italian American women, and
A Tavola: Food, Tradition and Community Among Italian Americans
. Her articles, reviews, memoir, and poetry have been published in many journals and anthologies. Her essays have been included in the reprints by The Feminist Press of such Italian American classics as Tina De Rosa’s
Paper Fish
(1996), Helen Barolini’s
Umbertina
(1999), and Louise DeSalvo’s
Vertigo
(2002). The former poetry editor of
The Women’s Studies Quarterly
, she serves actively on its Board. She has been profiled in
The New York Times
for her work in Italian American studies and won the 2003 Teacher of the Year Award for Higher Education given by the Association of Italian American Educators. She is currently at work on two anthologies,
Teaching Italian American Literature, Film, and Popular Culture
for the Options for Teaching Series of the Modern Language Association , co-edited with Kathleen Zamboni McCormick, and
Biancheria: Domestic Needlework in the Italian Diaspora
, coedited with Joseph Sciorra.
Jacqueline Ellis
is an Assistant Professor of Women’s and Gender Studies at New Jersey City University where she also co-ordinates "Speaking Our Stories: The NJCU Oral History Project." Her articles on representations of gender and working-class identity in visual and popular culture have appeared in
Feminist Review
and
History of Photography,
and she is the author of
Silent Witnesses: Representations of Working-Class Women in the United States, 1933-1945
. Her article "Working Class Women Theorize Globalization" is forthcoming in the
International Feminist Journal of Politics.
Her current research focuses on the cultural politics of assisted reproductive technologies.
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